山西大同英语导游词

　　At present, the place where we are is Xuankong Temple. The characteristicsof the whole Xuankong Temple can be summarized in three words, that is,"strange, dangerous and clever".

　　In Xuankong Temple, we will find that there are many statues in XuankongTemple, but three of them are the most precious. The reason why they are nobleis that their molding art is very unique, and they are made by the process ofyarn stripping. It is 50cm high and weighs only 3kg. It is the lightest and mostvaluable statue in the temple.

　　Then the second and third part of Xuankong Temple is the real suspension.The wooden pillars outside give people the feeling that they support the wholetemple by more than a dozen wooden pillars. In fact, most of those woodenpillars are not load-bearing. We can see that the plank road connects each part.There are some beams under the plank road. These beams are inserted into therock. During the construction, the rock is chiseled out of the small belly largestone cave, and the tapered wooden wedge is placed inside, Make the crossbeaminto a scissor shape and smash it with a strong force. The greater the force onthe outside, the tighter the bite on the inside. They press the force on therock.

　　As we all know, Hengshan has always been a place for military strategists,so the rulers of each dynasty have their own religion to worship, and the threereligions hall is a collection of Buddhism, Taoism and Confucianism, which willbe protected in any dynasty. This is also a political reason why Xuankong Templewill not be destroyed for thousands of years.

　　Now let me show you around the hanging temple.

山西大同英语导游词

　　Xuankong Temple is located at the foot of Hengshan Mountain, on the Xiyancliff in Jinlong gorge, five kilometers south of Hunyuan County, Datong City.Since ancient times, it has been listed as the first wonder of HengshanMountain.

　　Looking up, you can see that the distribution of the halls and towers issymmetrical with changes, scattered with connections, zigzag and looping,virtual and real with each other, small and exquisite, rich in space, changeablein levels, small in size, big in size, small in size, small in size, compact inlayout, scattered and dependent. Its layout is not only different from that ofthe central axis of the Pingchuan temple, which is symmetrical to the left andright, but also different from that of the mountain palace which is graduallyrising along the mountain, They are all constructed according to the concave andconvex of the cliff, the shape of the cliff and the situation of the cliff. Theyare naturally arranged in the air. They seem to be stacked and scattered, andthe changes are subtle, so that the combination of shapes and spatial contrastachieve an orderly artistic effect. Looking at the temple from afar, it lookslike a pair of exquisite relief sculptures, inlaid in the cliffs of ten thousandRen. Looking at the temple from a close perspective, it has the potential offlying in the air.

　　Xuankong Temple is not only breathtaking, strange and spectacular inappearance, but also has distinctive architectural structure with rich andcolorful forms. The eaves have single eaves, double eaves and three-tier eaves,the mast structure has beam lifting structure, flat roof structure and bucketarch structure, and the roof has main ridge, vertical ridge, berm ridge and poorridge. The overall appearance, skillfully constructed and overlapped, creates aunique style of building in the cave, cave in the building, half wall hall, halfwall cave, cave connected hall and hall connected building. It not onlyintegrates the art of Chinese garden architecture, but also does not lose thepattern of Chinese traditional architecture.

　　Among the existing bronze, iron, clay and stone sculptures in XuankongTemple, many styles and styles have the characteristics of early times, whichare treasures of high artistic value.

　　Now you have 30 minutes of free browsing time. Please pay attention to yoursafety and come back here on time.

山西大同英语导游词

　　云冈石窟:云冈石窟位于大同市西16公里的武周山麓，武州川的北岸。石窟依山开凿，东西绵延一公里。现存主要洞窟45个，计1100多个小龛，大小造像51000余尊，它是我国规模最大的石窟群之一，也是世界闻名的艺术宝库。1961年公布为第一批全国重点文物单位。　　云冈石窟是在北魏中期齐凿的。北魏经历了"太武灭佛"、"文成复法"。文成帝和平年间(460——465)云冈石窟开始大规模营造，到孝明帝正光五年(524)建成，前后计60多年。初由著名的高僧昙曜主持，"于京城西武州塞，凿山石壁，开窟五所"。现第16至20窟就是"昙曜五窟"。现存洞窟大部分凿于太和十八年(494)迁洛前。据《水经注》记载，当时"凿石开山，因岩结构，真容巨壮，世法所希。山堂水殿，烟寺相望，林渊锦镜，缀日新眺"。　　云冈石窟雕刻在我国三大石窟中以造像气魄雄伟、内容丰富多彩见称。最小的佛像2公分。最大的高达17米，多为神态各异的教人物形象。石窟有形制多样的仿木构建筑物，有主题突出的佛传浮雕，有精雕细刻的装饰纹样，还有栩栩如生的乐舞雕刻，生动活泼，琳琅满目。其雕刻艺术继承并发展了秦汉雕刻艺术传统，吸收和融合了佛教艺术的精华，具有独特的艺术风格。对后来隋唐艺术的发展产生了深远的影响，在我国艺术史上占有重要地位，也是中国与亚洲国家友好往来、文化交流的历史。　　云冈第五、六窟在云冈石窟群中部，为孝文帝迁洛前约465——494年开凿的一组双窟。庙前有清顺治八年(1651)建造的五间四层木楼阁，柱栏，琉璃瓦顶，颇为壮观。第五窟开作椭圆形草庐形式，分前后室。后室北壁本尊为释迦牟尼坐像，高17米，为云冈最大的佛像，外部经唐代泥塑重装。窟内满雕佛龛造像。窟西侧刻有两佛对坐在树下，顶部浮雕，线条优美。第6窟平面近方形，是一个连接窟顶的二层方形塔往，高约14米，塔柱上雕有四方佛，四角各有一座九层出檐小塔，驮于象背上。窟四壁满雕佛、罗汉、等造像。窟顶有三十三诸天及各种骑乘，令人目不暇接。环绕塔柱四面和东南西三壁的中下部，刻有33幅描写释迦牟尼从诞生到成道的佛传故事浮雕，内容连贯，构图精巧。此窟规模宏伟，雕饰富丽，内容丰富，技法精炼，是云冈石窟中有代表性的一窟，也是中期造像艺术汇集的大检阅。　　云冈第七、八窟位于云冈石窟的中部，为一组双窟，是云冈石窟第二期开凿较早的石窟。七窟前现存的木构建筑，是清顺治八年(1651)修建。七、八窟平面均为长方形，窟内布局上下分层，左右分段。七窟后室北壁上层天幕龛的，雕一交脚像，坐于狮子座上，左右备一倚坐佛像，边为二胁侍。内容仍为三世佛，且出现了造像组合。下龛为释迦、多宝二佛并坐像。壁与窟顶相接处雕一排伎乐人像，各执乐器演奏。东西两壁对称开凿，壁与顶部相接处雕一排千佛。下分四层雕有八个不同的佛龛。南壁凿有一门一窗，左右两侧各雕四个佛龛。门窗间有六个供养人和伎乐天人像。明窗内雕和禅定比丘。内拱内雕力上、天王和。顶部分格雕平棋，中为团莲，周雕，把整个窟顶装饰得花团锦簇。第七、八窟与前期窟群比，在形制、内容、造像构成、题材等方面出现了诸多变化，从中折射出北魏社会变革的。　　昙曜五窟现编号第16——20窟，是由昙曜主持开凿的第一期窟洞，也是云冈石窟最引人注目的部分之一。据《魏书·释老志》载："和平初，......昙曜白帝，于京城西武州塞，凿山石壁，开窟五所，镌建佛各一，高者七十尺，次六十尺，雕饰奇伟，冠于一世。"以道武、明元、太武、景穆、文成五帝为楷模，雕刻五尊大像。这五窟规模宏大，气魄雄伟。形制上共同特点是外壁满雕千佛，大体上都摹拟椭圆形的草庐形式，　　无后室。造像主要是三世佛(过去、未来、现在)，主佛形体高大，占窟内主要。第16窟本尊释迦立像高13.5米，而相清秀，英俊潇洒。第17窟正中为装的交脚坐像，高15.6米，窟小像大，咄咄逼人。　　第18窟本尊为身披千佛袈裟的释迦立像，高15.5米，气势磅礴;东壁上层的众造像造型奇特，技法娴熟。第19窟本尊为释迦坐像，高16.8米，为云冈第二大造像。第20窟为露天造像，正中为释迦坐像，高13.75米，为云冈石窟的代表作，面都半圆，深目高鼻，眼大唇薄。大耳垂肩，两肩齐挺，造型雄伟，气势浑厚。　　云冈五华洞位于云冈石窟中部的第9——13窟。这五窟因请代施泥彩绘而得名。第9、10窟为一组前后室结构的双窟，建于北魏孝文帝太和八年(484)，太和十三年竣工，辽代曾在此兴建崇福寺。两窟平面近方形。前定南壁凿成八角列柱，东西壁上部雕出三间访木构建筑的佛龛，余壁满雕佛像、。后室窟门上雕有明窗，北壁主佛是释迦佛。第10窟主像是。后室门拱内外两面有精雕图案花纹，结构严谨，富于变化。第11——13窟是一组，具有前后窟的第12窟为中心窟。11窟中立方塔柱，塔柱四面上下开龛造像，除南面上龛为外，均为释迦立像。东壁上部有北魏太和七年(483)造像题记，是研究云冈开凿史的重要资料。窟东北有太和二十年(496)铭龛和七佛立像。第12窟前正室和东西壁上部均雕出三间仿木构建筑屋形佛龛，前列两柱，洞开三门，窟顶雕有伎乐天，手持排箫、琵琶、横笛、束腰鼓等乐器，是研究音乐史的重要资料。第13窟本尊是交脚，高约13米，右臂下雕一力士托扛，既产生了力学作用，又兼具装饰效果。南壁上层的七佛立像和东壁下层的供养天人，皆为窟中精品。东壁佛龛形制各异。五华洞雕饰绮丽，丰富多彩，是研究北魏历史、艺术、音乐、舞蹈、书法和建筑的珍贵资料，为云冈石窟群的重要组成部分。　　云冈东部窟群，指云冈石窟东端1——4，均为塔洞。第1、2窟为同期开的一组，凿于孝文帝迁洛前，窟内雕造方形塔柱，四面开龛造像。第一窟主像是，塔南面下层雕释迦多宝像，上层雕释迦像。浮雕五层小塔，是研究北魏建筑的形象资料。第二窟是释迦像，塔南面下层雕释迦多宝像，上层雕三世佛。两窟南壁窟门两侧都雕有维摩、文殊。第三窟为云冈石窟中规模最大的洞窟，前立壁高约25米，传为昙曜译经楼。窟分前后两室。前室上部左右各雕一塔，中雕方形窟室，主像为，壁面满雕千佛。后室南面两侧雕刻有面貌圆润、肌肉丰满、农纹流畅的一佛三。坐像高约10米，二立像高6.2米。从风格和雕刻手法上看，很可能是初唐时的作品。第四窟风化水蚀严重，南壁窟门上方有北魏正光年间铭记，是云冈石窟现存最晚的铭记。　　云冈西部窟群包括云冈石窟西部第21至45窟，以及一些未编号的小窟小龛。大多属于北魏太和十八年(494)以后的作品。其特点是不成组的窟多，中小窟多，作为补刻的小龛多。造像多为瘦骨清相，衣纹下部褶纹重叠，神态文雅秀丽，藻井中飘逸洒脱，具有浓厚的汉化风格，与"龙门期"雕刻十分接近。其中第38窟北壁"幢倒乐神"浮雕，是研究北魏杂伎的形象资料。　　第39窟中心五层塔柱，塔身每面作五间，六柱，柱头上斗拱承托出檐，天平座，每层间阔高度皆小于下层，稳重隽秀，是研究早期造塔的重要资料。第40窟整体布局巧妙地运用装饰艺术，使洞窟格式、构图既有规律，又有变化，提高了石窟艺术的格调。

山西大同英语导游词

　　春天,那里万物复苏,泉水丁冬,小花在温暖的阳光下照耀着,为人们展示出了自己美丽的面貌,她就像害羞的小姑娘掩面而笑.她那诱人的魅力,让你感觉到像是沉浮在花海中.小草也微微探出头来,风姑娘轻轻的抚摸着她那幼小的身躯,在风姑娘的帮助下她把身子倾斜过来,好像要告诉人们她现在非常舒服.柳树也抽出了点点翠绿的嫩芽,从远处看,好象是绿色的雾弥漫了整个“世界”.柳树甩着长长的辫子,迎风起舞.它们有节奏的来回摇摆,好象在欢迎我们的到来.

　　夏天,到了晚上,抬头仰望天空,天空就像平静的海面湛蓝,静谧.星星像一颗颗宝石闪烁着光芒,又像顽皮的小孩眨着眼睛.天空是多么的美丽啊!大同的晚上是最美丽的时候,傍晚坐在院子里,柔和的微风从你耳边吹过,你的头发时而立,时而倒;时而前,时而后;有节奏的“跳动”着.这里虽然是夏天,但你丝毫感觉不到炎热.

　　秋天,正是丰收的好季节.大地产下了它丰硕的果实:沉甸甸的稻子,金黄色的麦穗,又大又红的地瓜,红彤彤的苹果等等.各种五颜六色的菊花,月季,桂花等在浓露之下闪耀着,一点儿没有褪色.

　　这里的冬天更是美丽,早晨推开门出去时,刺骨的寒风呼呼的吹着,不时的向我袭来.并且,偶尔会有顽皮的小雪花纷纷扬扬的落下来,就像跳舞一样.六角形的雪花各式各样：有的像银针,有的像落叶,还有的像碎纸片……煞是好看.这美丽的雪景使人们沉浸在清新的空气里.到处银装素裹,美不胜收.冬姑娘真是心灵手巧啊!付出一年辛勤劳动的人们,更是感受到丰收的喜悦.

　　这就是我的家乡——大同,美丽有可爱,我爱我的家乡!

山西大同英语导游词

　　Today, we come to Datong, Shanxi Province. It's said that Datong's noodlesare very famous. They are as fast as flying knives. Ah! I can't wait to have atry. When I come to the restaurant, I have performances and experiences. I sawin front of the table, a master skillfully grabbed a handful of dry flour fromthe nearby basin and spread it evenly on the wooden table. Then, he picked up aboard with flour on it, and used a small stainless steel razor to cut itquickly. The strips of noodles he cut off are called "sliced noodles". Thesliced noodles are really like the eight monsters in Shanxi. They are really asfast as flying knives. It's not only fast, but also the descending speed has asense of rhythm. They all go up first, then go in, slowly descend, and finallyfly to the edge of the platform. I looked at it myself and was stunned. Thosenoodles are not only the same speed, but also the same thickness.

　　"Pa" sound, I feel something fell on my head, a touch, ah! It's noodles."Children, please don't put your head in it." I'm still wondering. I suddenlythink of the head of the noodles, a look. So my head is on the table! After awhile, when the dough is only half, the master stops. I was in a daze. I didn'tknow what he wanted to do. Then, the others began to line up. I suddenlyunderstand, from the middle of the team into, and then squeezed out, and back tothe end of the team. I stick my tongue out and wait. When I arrived, I coollyrolled up my short sleeve sleeve, took a deep breath, and then picked up therazor and the board, ready to show you. But it's much harder than I thought.

　　I didn't know how to shave with a razor. Then I scratched my head andremembered that the noodles were cut like fruit, but I forgot whether to cut upor down. So I thought: sliced noodles fall from top to bottom, that should beupward slicing! So I began to upward slicing. The first time the noodles fell infront of me, I was very proud; the second time the noodles fell; the third timeI was unlucky, the noodles didn't know where to fly. At this time, my cousinbegan to laugh. I was a little confused and had an ominous premonition. Iusually feel my head when I think about a problem. I feel it Ah! I cried. Itfell on my head again. I just didn't wipe it. The noodles piled up on my head. Iwipe the face off with a tissue and try to cut it down. I made it this time. I'mvery happy. Ah! How fun it is to make noodles!